Trying to answer for the change that represents the contemporary western philosophy regarding its past, and with the analysis of the traditional notions of movement and body, we show the bend that joins choreography, direction and the expectations of the dancer himself, to certain conceptions of true and authenticity, established in some ideas of time and space that are deactivated in the normal practice of dance, especially in his phases of corporal investigation, where appear, most of all, insignificant dances (Cf. Nancy, 2003, p. 219) and lived spaces, refractory to logics of objective space, of the scene and the spectator.
Keywords:
western autobiography, dance, place, body, movement
Molina García, Érika N. (2013). Faking to fake: reading dance from this side of the stage. Revista De Filosofía, 69, Pág. 183–194. Retrieved from https://comunicacionymedios.uchile.cl/index.php/RDF/article/view/30128
