In this paper some narrative strategies are identified of what may be termed "post-historical cinema": reduction of scale, partiality for everyday contexts, abandonment of the epic register and a sort of “antihumanism”. It is argued that such cinema fails to reflect upon contemporary reality and impedes the development of a historical consciousness.
Aravena, P. (2012). Production of the verisimilar-history. Cinema in the limits of historical consciousness. Comunicación Y Medios, (26), Pág. 31 – 36. https://doi.org/10.5354/rcm.v0i26.24906
