Tekné
Authors
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Claudia Lagos Lira
Universidad de Chile, Chile
https://orcid.org/0000-0003-2557-5401
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Tomás Peters
Universidad de Chile, Chile
https://orcid.org/0000-0002-0765-917X
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Abstract
In June 2025, the University of Chile’s Center for Artistic and Cultural Extension (CEAC) “tuned” the new Great National Symphony Hall at the VM20 University Complex in Santiago, Chile. The process included two audience-attended sessions in its over 1,000-seat venue. With its musicians, audience, design, architecture, and equipment, the hall functions as a grand instrument, requiring repeated performance to balance and perfect its sound. “Acoustics is a very complex science; it involves art and many other factors. A hall is designed with mathematics and digital models,” said telecommunications engineer and violinist Gustavo Basso, the hall’s acoustic designer. “But the truth emerges only when an orchestra actually plays on stage. Until then, it’s theory. Acoustics isn’t the installation—it’s architecture turned into sound; sound made tangible,” Basso explained after the tuning.
Keywords:
tecnologías de la información , convergencia mediática , comunicación y medios , hipertelevisiónReferences
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